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    Home » đŸ”„ MUSIC MEETS MOVEMENT IN MINNEAPOLIS — BRUCE SPRINGSTEEN LIGHTS UP A BENEFIT STAGE WITH A LIVE PROTEST ANTHEM. Bruce Springsteen shocked the crowd by appearing as the surprise “very special guest” at Tom Morello’s Defend Minnesota! benefit show at First Avenue — a sold-out concert raising money for the families of Renee Good and Alex Pretti. Just days after releasing his fiery protest song Streets of Minneapolis, Springsteen brought it to life live, turning an unexpected headline into a raw, communal chant of resistance against federal immigration enforcement. Joined by Morello and others onstage, he fused music with solidarity, urging the crowd to take the energy from the venue and move it into the streets. This wasn’t a typical gig — it was a moment when rock legends turned an ordinary night into a historic rally cry.
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    đŸ”„ MUSIC MEETS MOVEMENT IN MINNEAPOLIS — BRUCE SPRINGSTEEN LIGHTS UP A BENEFIT STAGE WITH A LIVE PROTEST ANTHEM. Bruce Springsteen shocked the crowd by appearing as the surprise “very special guest” at Tom Morello’s Defend Minnesota! benefit show at First Avenue — a sold-out concert raising money for the families of Renee Good and Alex Pretti. Just days after releasing his fiery protest song Streets of Minneapolis, Springsteen brought it to life live, turning an unexpected headline into a raw, communal chant of resistance against federal immigration enforcement. Joined by Morello and others onstage, he fused music with solidarity, urging the crowd to take the energy from the venue and move it into the streets. This wasn’t a typical gig — it was a moment when rock legends turned an ordinary night into a historic rally cry.

    Kelly WhitewoodBy Kelly WhitewoodJanuary 31, 20262 Mins Read

    Bruce Springsteen traveled to Minneapolis on Friday, January 30, to appear as the long-teased “very special guest” at Tom Morello’s benefit concert supporting the families of victims killed in ICE-related shootings.

    The sold-out event, titled A Concert of Solidarity & Resistance to Defend Minnesota!, was announced just two days before it took place at the legendary Minneapolis venue First Avenue. In a social media post shared January 28, Morello said proceeds from the concert would go directly to the families of Renee Good and Alex Pretti.

    Good, 37, was shot and killed by a U.S. Immigration and Customs Enforcement agent on January 7 in Minneapolis. Pretti, also 37, was killed by multiple U.S. Customs and Border Protection agents on January 24.

    The original lineup featured Morello alongside members of Chicago punk band Rise Against, singer-songwriter Ike Reilly, and flamenco-jazz fusion guitarist Al Di Meola. Morello also hinted at a mystery guest — later revealed to be Springsteen.

    Just hours before the benefit was announced, Springsteen released Streets of Minneapolis, a newly written song responding directly to the deaths of Good and Pretti.

    While addressing the crowd at First Avenue, Springsteen shared that he had sent the song to Morello beforehand, asking whether it might come across as too “soapboxy.”

    “He told me, ‘Nuance is great, but sometimes you’ve got to kick them in the teeth,’” Springsteen said before performing the song live.

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    A post shared by The Girl At The Rock Shows (@girlattherockshows)

    Morello and several other performers later joined Springsteen onstage for the show’s finale. Before the night ended, Morello encouraged attendees to exit the venue and peacefully join demonstrations taking place outside.

    The concert raised funds for the victims’ families while underscoring a broader message of solidarity, protest, and resistance — carried not through speeches alone, but through music itself.

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    A post shared by The Current (@thecurrent)

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    Next Article “THE PRINCE OF DARKNESS RETURNS — AND THE GRAMMYS ARE ABOUT TO TURN BLACK.” The 2026 GRAMMY Awards are preparing for a moment that promises to stop the room cold, as a once-in-a-generation tribute brings Ozzy Osbourne back to center stage. With Post Malone leading an all-star lineup featuring rock royalty, the In Memoriam segment is shaping up to feel less like a goodbye and more like a thunderous final bow. This isn’t just a performance — it’s a reckoning, a collision of eras, and a reminder that some legends never truly leave the building.

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